There is one, increasingly big thing that I miss about Catholicism. It’s not anything relating to the theology. It’s the music. I miss worshiping with my voice, something that I usually found very, very powerful — in every sense of the word.
At least Rochester Unitarian had a fairly diverse, developed music program. As in, the music selected for the services was very specifically tied to some element of the sermon, or overall theme. And they had a full choir — four parts, soloists, choir loft, pipe organ, the whole nine yards. Plus they’d have smaller chamber groups, or local visiting individuals, or the like, come in and do the opening and closing bits.
Then there’s Paint Branch (or PBUUC), where I’ve been going for the last few months.
In some respects, it reminds me a lot of Newman, which I was very attached to during college. It’s small, both in terms of congregation size and building size. They seem like geniunely nice people, which is good.
The music? This past weekend, it hit me just how lacking it was.
For example, not this past weekend, but the two weeks previous, they had someone playing music from Final Fantasy X. Which was neat and all, but in retrospect had very little to do with the service.
Mostly, though, I’m tired of everyone singing in unison. And there was one song in particular this weekend that just dragged. Mind you, the notation said it should be around 69 (60 being one beat per second). I think it was actually closer to 50, if I’m remembering that higher number means faster tempo.
I’m reminded of some of the discussions we had at Newman — myself, my ex, one of the priests, probably a few others at times, too. And the things that came up, they don’t just apply to Catholics — they apply to any group of generally non-musical people being led by one or a few people in song.
Don’t sing a new song slowly so people “get it.” If you have to, quickly rehearse it before the service starts. Then take it at tempo during the service, or even slightly faster, because the congregation will invariably slow it down anyway.
Even if a song (ex., “Amazing Grace”) is supposed to be slow and stately, for $deity’s sake don’t turn it into a funeral dirge! “Amazing Grace,” to run with an example, if you look at the text, this person is happy! Don’t sing it like you’re in mourning! (Ahem. Not that I have strong feelings on the subject or anything.) It’s hardly the only example, but it’s one a lot of people will at least be familiar with.
Making sure there’s a link between spoken text/themes and music is a good thing. Really. Singing something just because you’ve always used it, even (especially…) if it is “liturgically incorrect,” is bad.
PBUUC sings “Spirit of Life” at the end of every service. Two Sundays ago was a “question box sermon,” and someone asked how this tradition got started. The chuch will be fifty years old this fall; no one knew the answer. No one (present) had any idea why they sing this song every week. Just a week earlier, one of the ministers had given a very passionate explanation as to how this song’s lyrics embody UU principles and that’s why we and other congregations sing it every week.
*sigh* I miss Rochester Unitarian. They were more…theologically challenging, I guess. This congregation, much as I like some aspects of it, when it comes to services there’s not a lot of meat. I walked away thinking, wanting to
This Sunday is the first non-summer service. (UUs tend to take the summer “off,” or at least go a little more free-form during the summer.) I think I’ll give them a few more weeks into the regular church year, but if I’m not getting anything out of it, I’m going to have to look elsewhere.